JCA Signature Series: Revisions: Contemporary Native Art

JCA Signature Series: Revisions: Contemporary Native ArtJCA Signature Series: Revisions: Contemporary Native Art

Wed, Feb 26, 2020 7:30 PM – Wed, Feb 26, 2020 9:00 PM JCA Signature Series: Revisions: Contemporary Native Art

Where: Eidson-Duckwall Recital Hall at Butler University Arts Center

Eidson-Duckwall Recital Hall at Butler University Arts Center 4602 Sunset Avenue Indianapolis, Indiana 46208

Schedule of Events
Public Lecture: Revisions: Contemporary Native Art
Wednesday, February 26, 2019 (free to public, BCR event)
7:30 PM—Free public lecture, Revisions: Contemporary Native Art, Eidson-Duckwall Recital Hall

Student workshops:
Wednesday, February 26, 2019
1:00–2:00 PM—Workshop with ART205 Art History Survey II, JCA Annex, Room 105
Thursday, February 27, 2019
2:30–3:30 PM—Workshop with ART210 Professional Practices, JCA Annex, Room 104
Jordan College Annex: 5144 Boulevard Pl.

Frances Jacobus-Parker is an art historian, curator, and critic of postwar and contemporary art. From 2018 to 2019 she served as Visiting Curator at the Snite Museum of Art at the University of Notre Dame, where she organized the exhibition Revisions: Contemporary Native Art. Her dissertation, which she is completing at Princeton University, is the first book-length analysis of the pivotal oeuvre of the Latvian-born, American artist Vija Celmins (who received her BFA from the John Herron School of Art in 1962).

Frances has held curatorial and research fellowships at the Museum of Modern Art, the Smithsonian American Art Museum, the Metropolitan Museum of Art, and the Georgia O’Keeffe Museum and was a teaching fellow at the Whitney Museum of American Art. Her writing has appeared in a wide range of exhibition catalogs and in essay collections on topics including collaboration, protest, and war.

https://www.butler.edu/jca/signature-series

Caption:
Wendy Red Star, Peelatchiwaaxpáash / Medicine Crow (Raven), 2014.
Pigment print on paper, from digitally reproduced and artist manipulated photograph by C.M. (Charles Milton) Bell, National Anthropological Archives, Smithsonian Institution.
© Wendy Red Star. Courtesy of the artist.

Event tags: Contemporary Native Art, analysis of the pivotal oeuvre of the Latvian-born, American artist Vija Celmins (who received her BFA from the John Herron School of Art in 1962), Frances Jacobus-Parker

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February 26, 2020 7:30 PM
February 26, 2020 9:00 PM
America/Indianapolis
Wed, Feb 26, 2020 JCA Signature Series: Revisions: Contemporary Native Art

Schedule of Events
Public Lecture: Revisions: Contemporary Native Art
Wednesday, February 26, 2019 (free to public, BCR event)
7:30 PM—Free public lecture, Revisions: Contemporary Native Art, Eidson-Duckwall Recital Hall

Student workshops:
Wednesday, February 26, 2019
1:00–2:00 PM—Workshop with ART205 Art History Survey II, JCA Annex, Room 105
Thursday, February 27, 2019
2:30–3:30 PM—Workshop with ART210 Professional Practices, JCA Annex, Room 104
Jordan College Annex: 5144 Boulevard Pl.

Frances Jacobus-Parker is an art historian, curator, and critic of postwar and contemporary art. From 2018 to 2019 she served as Visiting Curator at the Snite Museum of Art at the University of Notre Dame, where she organized the exhibition Revisions: Contemporary Native Art. Her dissertation, which she is completing at Princeton University, is the first book-length analysis of the pivotal oeuvre of the Latvian-born, American artist Vija Celmins (who received her BFA from the John Herron School of Art in 1962).

Frances has held curatorial and research fellowships at the Museum of Modern Art, the Smithsonian American Art Museum, the Metropolitan Museum of Art, and the Georgia O’Keeffe Museum and was a teaching fellow at the Whitney Museum of American Art. Her writing has appeared in a wide range of exhibition catalogs and in essay collections on topics including collaboration, protest, and war.

https://www.butler.edu/jca/signature-series

Caption:
Wendy Red Star, Peelatchiwaaxpáash / Medicine Crow (Raven), 2014.
Pigment print on paper, from digitally reproduced and artist manipulated photograph by C.M. (Charles Milton) Bell, National Anthropological Archives, Smithsonian Institution.
© Wendy Red Star. Courtesy of the artist.


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